"In every symmetrical system every deformation that tends to destroy the symmetry is complemented by an equal and opposite deformation that tends to restore it. […] One condition, therefore, though not an absolutely sufficient one, that a maximum or minimum of work corresponds to the form of equilibrium, is thus applied by symmetry." (Ernst Mach, "The Science of Mechanics: A Critical and Historical Account of Its Development", 1893)
"Symmetry is evidently a kind of unity in variety, where a whole is determined by the rhythmic repetition of similar." (George Santayana, "The Sense of Beauty", 1896)
"It is the harmony of the diverse parts, their symmetry, their happy balance; in a word it is all that introduces order, all that gives unity, that permits us to see clearly and to comprehend at once both the ensemble and the details." (Henri Poincaré, "The Future of Mathematics", Monist, Vol. 20 (1), 1910)
"Rut seldom is asymmetry merely the absence of symmetry. Even in asymmetric designs one feels symmetry as the norm from which one deviates under the influence of forces of non-formal character." (Hermann Weyl, "Symmetry", 1952)
"The essential vision of reality presents us not with fugitive appearances but with felt patterns of order which have coherence and meaning for the eye and for the mind. Symmetry, balance and rhythmic sequences express characteristics of natural phenomena: the connectedness of nature - the order, the logic, the living process. Here art and science meet on common ground." (Gyorgy Kepes, "The New Landscape: In Art and Science", 1956)
"To a considerable degree science consists in originating the maximum amount of information with the minimum expenditure of energy. Beauty is the cleanness of line in such formulations along with symmetry, surprise, and congruence with other prevailing beliefs." (Edward O Wilson, "Biophilia", 1984)
"[…] nature, at the fundamental level, does not just prefer symmetry in a physical theory; nature demands it." (Jennifer T Thompson, "Beyond Einstein: The Cosmic Quest for the Theory of the Universe", 1987)
"Symmetries abound in nature, in technology, and - especially - in the simplified mathematical models we study so assiduously. Symmetries complicate things and simplify them. They complicate them by introducing exceptional types of behavior, increasing the number of variables involved, and making vanish things that usually do not vanish. They simplify them by introducing exceptional types of behavior, increasing the number of variables involved, and making vanish things that usually do not vanish. They violate all the hypotheses of our favorite theorems, yet lead to natural generalizations of those theorems. It is now standard to study the 'generic' behavior of dynamical systems. Symmetry is not generic. The answer is to work within the world of symmetric systems and to examine a suitably restricted idea of genericity." (Ian Stewart, "Bifurcation with symmetry", 1988)
"Chaos demonstrates that deterministic causes can have random effects […] There's a similar surprise regarding symmetry: symmetric causes can have asymmetric effects. […] This paradox, that symmetry can get lost between cause and effect, is called symmetry-breaking. […] From the smallest scales to the largest, many of nature's patterns are a result of broken symmetry; […]" (Ian Stewart & Martin Golubitsky, "Fearful Symmetry: Is God a Geometer?", 1992)
"In everyday language, the words 'pattern' and 'symmetry' are used almost interchangeably, to indicate a property possessed by a regular arrangement of more-or-less identical units […]" (Ian Stewart & Martin Golubitsky, "Fearful Symmetry: Is God a Geometer?", 1992)
"Nature behaves in ways that look mathematical, but nature is not the same as mathematics. Every mathematical model makes simplifying assumptions; its conclusions are only as valid as those assumptions. The assumption of perfect symmetry is excellent as a technique for deducing the conditions under which symmetry-breaking is going to occur, the general form of the result, and the range of possible behaviour. To deduce exactly which effect is selected from this range in a practical situation, we have to know which imperfections are present" (Ian Stewart & Martin Golubitsky, "Fearful Symmetry: Is God a Geometer?", 1992)
"Nature is never perfectly symmetric. Nature's circles always have tiny dents and bumps. There are always tiny fluctuations, such as the thermal vibration of molecules. These tiny imperfections load Nature's dice in favour of one or other of the set of possible effects that the mathematics of perfect symmetry considers to be equally possible." (Ian Stewart & Martin Golubitsky, "Fearful Symmetry: Is God a Geometer?", 1992)
"Symmetry breaking in psychology is governed by the nonlinear causality of complex systems (the 'butterfly effect'), which roughly means that a small cause can have a big effect. Tiny details of initial individual perspectives, but also cognitive prejudices, may 'enslave' the other modes and lead to one dominant view." (Klaus Mainzer, "Thinking in Complexity", 1994)
"Complex systems operate under conditions far from equilibrium. Complex systems need a constant flow of energy to change, evolve and survive as complex entities. Equilibrium, symmetry and complete stability mean death. Just as the flow, of energy is necessary to fight entropy and maintain the complex structure of the system, society can only survive as a process. It is defined not by its origins or its goals, but by what it is doing." (Paul Cilliers,"Complexity and Postmodernism: Understanding Complex Systems", 1998)
"In the nonmathematical sense, symmetry is associated with regularity in form, pleasing proportions, periodicity, or a harmonious arrangement; thus it is frequently associated with a sense of beauty. In the geometric sense, symmetry may be more precisely analyzed. We may have, for example, an axis of symmetry, a center of symmetry, or a plane of symmetry, which define respectively the line, point, or plane about which a figure or body is symmetrical. The presence of these symmetry elements, usually in combinations, is responsible for giving form to many compositions; the reproduction of a motif by application of symmetry operations can produce a pattern that is pleasing to the senses." (Hans H Jaffé & ?Milton Orchin, "Symmetry in Chemistry", 2002)
"A sudden change in the evolutive dynamics of a system (a ‘surprise’) can emerge, apparently violating a symmetrical law that was formulated by making a reduction on some (or many) finite sequences of numerical data. This is the crucial point. As we have said on a number of occasions, complexity emerges as a breakdown of symmetry (a system that, by evolving with continuity, suddenly passes from one attractor to another) in laws which, expressed in mathematical form, are symmetrical. Nonetheless, this breakdown happens. It is the surprise, the paradox, a sort of butterfly effect that can highlight small differences between numbers that are very close to one another in the continuum of real numbers; differences that may evade the experimental interpretation of data, but that may increasingly amplify in the system’s dynamics." (Cristoforo S Bertuglia & Franco Vaio, "Nonlinearity, Chaos, and Complexity: The Dynamics of Natural and Social Systems", 2003)
"A symmetry is a set of transformations applied to a structure, such that the transformations preserve the properties of the structure." (Philip Dorrell, "What is Music?: Solving a Scientific Mystery", 2004)
"Whereas symmetry can create beauty, its breaking does not necessarily destroy beauty; instead, it may even create another kind of beauty." (Guozhen Wu, "Nonlinearity and Chaos in Molecular Vibrations", 2005)
"Humans seem to have an inbuilt need to impose mathematical order, symmetry and cause-and-effect relationships on a natural world that often may not work in that way at all." (Michael Hanlon, "10 Questions Science Can’t Answer (Yet): A Guide to the Scientific Wilderness", 2007)
"Approximate symmetry is a softening of the hard dichotomy between symmetry and asymmetry. The extent of deviation from exact symmetry that can still be considered approximate symmetry will depend on the context and the application and could very well be a matter of personal taste." (Joe Rosen, "Symmetry Rules: How Science and Nature Are Founded on Symmetry", 2008)
"Symmetry is a fundamental organizing principle of shape. It helps in classifying and understanding patterns in mathematics, nature, art, and, of course, poetry. And often the counterpoint to symmetry - the breaking or interruption of symmetry - is just as important in creative endeavors." (Marcia Birken & Anne C. Coon, "Discovering Patterns in Mathematics and Poetry", 2008)
"The concept of symmetry (invariance) with its rigorous mathematical formulation and generalization has guided us to know the most fundamental of physical laws. Symmetry as a concept has helped mankind not only to define ‘beauty’ but also to express the ‘truth’. Physical laws tries to quantify the truth that appears to be ‘transient’ at the level of phenomena but symmetry promotes that truth to the level of ‘eternity’." (Vladimir G Ivancevic & Tijana T Ivancevic, "Quantum Leap", 2008)
"The word ‘symmetry’ conjures to mind objects which are well balanced, with perfect proportions. Such objects capture a sense of beauty and form. The human mind is constantly drawn to anything that embodies some aspect of symmetry. Our brain seems programmed to notice and search for order and structure. Artwork, architecture and music from ancient times to the present day play on the idea of things which mirror each other in interesting ways. Symmetry is about connections between different parts of the same object. It sets up a natural internal dialogue in the shape." (Marcus du Sautoy, "Symmetry: A Journey into the Patterns of Nature", 2008)
"A graph enables us to visualize a relation over a set, which makes the characteristics of relations such as transitivity and symmetry easier to understand. […] Notions such as paths and cycles are key to understanding the more complex and powerful concepts of graph theory. There are many degrees of connectedness that apply to a graph; understanding these types of connectedness enables the engineer to understand the basic properties that can be defined for the graph representing some aspect of his or her system. The concepts of adjacency and reachability are the first steps to understanding the ability of an allocated architecture of a system to execute properly." (Dennis M Buede, "The Engineering Design of Systems: Models and methods", 2009)
"Symmetry is the representation of two or more equivalent or balanced elements with respect to a common origin, position, or axis." (David Smith, "The Symmetry Solution: A Modern View of Biblical Prophecy", 2009)
"Symmetry may have its appeal but it is inherently stale. Some kind of imbalance is behind every transformation." (Marcelo Gleiser, "A Tear at the Edge of Creation: A Radical New Vision for Life in an Imperfect Universe", 2010)
"[…] asymmetry can be defined only relative to symmetry, and vice versa. Asymmetric elements in paintings or buildings are most effective when superimposed against a background of symmetry." (Alan Lightman, "The Accidental Universe: The World You Thought You Knew", 2014)
"By the word symmetry […] one thinks of an external relationship between pleasing parts of a whole; mostly the word is used to refer to parts arranged regularly against one another around a centre. We have […] observed [these parts] one after the other, not always like following like, but rather a raising up from below, a strength out of weakness, a beauty out of ordinariness." (Johann Wolfgang von Goethe)
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