"We invoke the imagination and the intervals that it furnishes, since the form itself is without motion or genesis, indivisible and free of all underlying matter, though the elements latent in the form are produced distinctly and individually on the screen of imagination. What projects the images is the understanding; the source of what is projected is the form in the understanding; and what they are projected in is this 'passive nous' that unfolds in revolution about the partlessness of genuine Nous." (Proclus Lycaeus, "A Commentary on the First Book of Euclid’s Elements", cca 5th century)
"But since we have, in our work on the soul, treated of imagination, and the faculty of imagination is identical with that of sense-perception, though the being of a faculty of imagination is different from that of a faculty of sense-perception; and since imagination is the movement set up by a sensory faculty when actually discharging its function, while a dream appears to be an image (for which occurs in sleep - whether simply or in some particular way - is what we call a dream): it manifestly follows that dreaming is an activity of the faculty of sense-perception, but belongs to this faculty qua imaginative." (Aristotle, "On Dreams", 4th century BC)
"For imagination is different from either perceiving or discursive thinking, though it is not found without sensation, or judgement without it. That this activity is not the same kind of thinking as judgement is obvious. For imagining lies within our own power whenever we wish (e.g. we can call up a picture, as in the practice of mnemonics by the use of mental images), but in forming opinions we are not free: we cannot escape the alternative of falsehood or truth." (Aristotle, "De Anima", cca. 350 BC)
"It is obvious then, that memory belongs to that part of the soul to which imagination belongs. […] Just as the picture painted on the panel is at once a picture and a portrait, and though one and the same, is both, yet the essence of the two is not the same, and it is possible to think of it both as a picture and as a portrait, so in the same way we must regard the mental picture within us both as an object of contemplation in itself and as a mental picture of something else […]. Insofar as we consider it in relation to something else, e.g. as a likeness, it is also an aid to memory." (Aristotle, "De Memoria et Reminiscentia" [On Memory and Recollection], 4th century BC)
"Since it seems that there is nothing outside and separate in existence from sensible spatial magnitudes, the objects of thought are in the sensible forms, viz. both the abstract objects and all the states and affections of sensible things. Hence no one can learn or understand anything in the absence of sense, and when the mind is actively aware of anything it is necessarily aware of it along with an image; for images are like sensuous contents except in that they contain no matter. Imagination is different from assertion and denial; for what is true or false involves a synthesis of thoughts. In what will the primary thoughts differ from images? Must we not say that neither these nor even our other thoughts are images, though they necessarily involve them?" (Aristotle, "De Anima", cca. 350 BC)
"Thinking is different from perceiving and is held to be in part imagination, in part judgement: we must therefore first mark off the sphere of imagination and then speak of judgement. If then imagination is that in virtue of which an image arises for us, excluding metaphorical uses of the term, is it a single faculty or disposition relative to images, in virtue of which we discriminate and are either in error or not? The faculties in virtue of which we do this are sense, opinion, knowledge, thought." (Aristotle, "De Anima", cca. 350 BC)
"Imagination (VIKALPA) is a thought based on a mental image describable by words but not based on an object directly observable." (Patanjali, "Yoga Sutra" cca. 500 BC - 400 AD)
"Sometimes a thing is perceived [via sense-perception] when it is observed; then it is imagined, when it is absent [in reality] through the representation of its form inside, Sense-perception grasps [the concept] insofar as it is buried in these accidents that cling to it because of the matter out of which it is made without abstracting it from [matter], and it grasps it only by means of a connection through position [ that exists] between its perception and its matter. It is for this reason that the form of [the thing] is not represented in the external sense when [sensation] ceases. As to the internal [faculty of] imagination, it imagines [the concept] together with these accidents, without being able to entirely abstract it from them. Still, [imagination] abstracts it from the afore-mentioned connection [through position] on which sense-perception depends, so that [imagination] represents the form [of the thing] despite the absence of the form's [outside] carrier." (Avicenna Latinus [Ibn Sina], "Pointer and Reminders", cca. 1030)
"Imagination is accordingly the first activity [movement] of the soul after it is subjected to external stimulation. Imagination either formulates second judgment, or brings back first judgment by recollection." (John of Salisbury, "Metalogicon", 1159)
"[…] the painter cannot produce any form or figure […] if first this form or figure is not imagined and reduced into a mental image (idea) by the inward wits. And to paint, one needs acute senses and a good imagination with which one can get to know the things one sees in such a way that, once these things are not present anymore and transformed into mental images (fantasmi), they can be presented to the intellect. In the second stage, the intellect by means of its judgement puts these things together and, finally, in the third stage the intellect turns these mental images […] into a finished composition which it afterwards represents in painting by means of its ability to cause movement in the body." (Romano Alberti, "Della nobiltà della Pittura", 1585)
"From all this I am beginning to have a rather better understanding of what I am. But it still appears - and I cannot stop thinking this - that the corporeal things of which images are formed in my thought, and which the senses investigate, are known with much more distinctness than this puzzling 'I' which cannot be pictured in the imagination." (René Descartes, "Meditations" II, 1641)
"For after the object is removed, or the eye shut, we still retain an image of the thing seen, though more obscure than when we see it. And this is it the Latins call imagination, from the image made in seeing, and apply the same, though improperly, to all the other senses. But the Greeks call it fancy, which signifies appearance, and is as proper to one sense as to another. IMAGINATION, therefore, is nothing but decaying sense; and is found in men and many other living creatures, as well sleeping as waking." (Thomas Hobbes, "Leviathan: The Matter, Form and Power of a Commonwealth Ecclesiastical and Civil", 1651)
"Measure, time and number are nothing but modes of thought or rather of imagination." (Baruch Spinoza, [Letter to Ludvicus Meyer] 1663)
"The ideas imprinted on the senses by the Author of Nature are called real things: and those excited in the imagination being less regular, vivid and constant, are more properly termed ideas, or images of things, which they copy and represent. But then our sensations, be they never so vivid and distinct, are nevertheless ideas, that is, they exist in the mind, or are perceived by it, as truly as the ideas of its own framing. The ideas of sense are allowed to have more reality in them, that is, to be more strong, orderly, and coherent than the creatures of the mind; but this is no argument that they exist without the mind. They are also less dependent on the spirit, or thinking substance which perceives them, in that they are excited by the will of another and more powerful spirit: yet still they are ideas, and certainly no idea, whether faint or strong, can exist otherwise than in a mind perceiving it." (George Berkeley, "Principles of Human Knowledge", 1710)
"[...] things which do not now exist in the mind itself, can only be perceived, remembered, or imagined, by means of ideas or images of them in the mind, which are the immediate objects of perception, remembrance, and imagination. This doctrine appears evidently to be borrowed from the old system; which taught, that external things make impressions upon the mind, like the impressions of a seal upon wax; that it is by means of those impressions that we perceive, remember) or imagine them; and that those impressions must resemble the things from which they are taken. When we form our notions of the operations of the mind by analogy, this way of conceiving them seems to be very natural, and offers itself to our thoughts: for as every thing which is felt must make some impression upon the body, we are apt to think, that every thing which is understood must make some impression upon the mind." (Thomas Reid, "An Inquiry into the Human Mind", 1734)
"Nay farther, even with relation to that succession, we cou'd only admit of those perceptions, which are immediately present to our consciousness, nor cou'd those lively images, with which the memory presents us, be ever receiv'd as true pictures of past perceptions. The memory, senses, and understanding are, therefore, all of them founded on the imagination, or the vivacity of our ideas."(David Hume, "A Treatise of Human Nature A Treatise of Human Nature", 1739)
"Beware of determining and declaring your Opinion suddenly on any Object; for Imagination often gets the Start of judgment, and makes People believe they see Things, which better Observations will convince them could not possibly be seen: Therefore assert nothing till after repeated Experiments and Examinations in all Lights and in all Positions." (Henry Baker, "The Microscope Made Easy", 1742)
"Things which do not now exist in the mind itself, can only be perceived, remembered, or imagined, by means of the ideas or images in the mind, which are the immediate objects of perception, remembrance, and imagination." (Thomas Reid, "An Inquiry into the Human Mind on the Principles", 1764)
"Men always fool themselves when they give up experience for systems born of the imagination. Man is the work of nature, he exists in nature, he is subject to its laws, he can not break free, he can not leave even in thought; it is in vain that his spirit wants to soar beyond the bounds of the visible world, he is always forced to return." (Paul-Henri T d’ Holbach, "Système de la Nature", 1770)
"Psychologists have hitherto failed to realize that imagination is a necessary ingredient of perception itself." (Immanuel Kant, "Critique of Pure Reason", 1781)
"The schema is in itself always a product of imagination. Since, however, the synthesis of imagination aims at no special intuition, but only at unity in the determination of sensibility, the schema has to be distinguished from the image." (Immanuel Kant," Critique of Pure Reason", 1781)
"There are conceptions which may be called fancy pictures. They are commonly called creatures of fancy, or of imagination. They are not the copies of any original that exists, but are originals themselves […]. They were conceived by their creators, and may be conceived by others, but they never existed. We do not ascribe the qualities of true or false to them, because they are not accompanied with any belief, nor do they imply any affirmation or negation." (Thomas Reid,"Essays on the Intellectual Powers of Man", 1785)
"The moment a person forms a theory, his imagination sees, in every object, only the traits which favor that theory." (Thomas Jefferson, [letter to Charles Thompson] 1787)
"Conjectures in philosophy are termed hypotheses or theories; and the investigation of an hypothesis founded on some slight probability, which accounts for many appearances in nature, has too often been considered as the highest attainment of a philosopher. If the hypothesis (sic) hangs well together, is embellished with a lively imagination, and serves to account for common appearances - it is considered by many, as having all the qualities that should recommend it to our belief, and all that ought to be required in a philosophical system." (George Adams, "Lectures on Natural and Experimental Philosophy" Vol. 1, 1794)
"The imagination is an eye where images remain forever." (Joseph Joubert, [Letter to Revd. Dr. Trusler] 1799)
"The philosopher who is really useful to the cause of science, is he who, uniting to a fertile imagination, a rigid severity in investigation and observation, is at once tormented by the desire of ascertaining the cause of the phenomena, and by the fear of deceiving himself in that which he assigns." (Pierre-Simon Laplace, "System of the World" Vol. 2, 1809)
"When the eye or the imagination is struck with an uncommon work, the next transition of an active mind is to the means by which it was performed." (Samuel Johnson, 1810)
"The imagination […] that reconciling and mediatory power, which incorporating the reason in images of the sense and organizing (as it were) the flux of the senses by the permanence and self-circling energies of the reason, gives birth to a system of symbols, harmonious in themselves, and consubstantial with the truths of which they are the conductors." (Samuel T Coleridge, "The Statesman's Manual", 1816)
"It seems to be like taking the pieces of a dissected map out of its box. We first look at one part, and then at another, then join and dove-tail them; and when the successive acts of attention have been completed, there is a retrogressive effort of mind to behold it as a whole. The poet should paint to the imagination, not to the fancy; and I know no happier case to exemplify the distinction between these two faculties." (Samuel T Coleridge," Biographia Literaria", 1817)
"Whilst chemical pursuits exalt the understanding, they do not depress the imagination or weaken genuine feeling; whilst they give the mind habits of accuracy, by obliging it to attend to facts, they likewise extend its analogies; and, though conversant with the minute forms of things, they have for their ultimate end the great and magnificent objects of nature." (Sir Humphry Davy, "Consolations in Travel, or the Last Days of a Philosopher", 1830)
"No occupation is more worthy of an intelligent and enlightened mind, than the study of Nature and natural objects; and whether we labour to investigate the structure and function of the human system, whether we direct our attention to the classification and habits of the animal kingdom, or prosecute our researches in the more pleasing and varied field of vegetable life, we shall constantly find some new object to attract our attention, some fresh beauties to excite our imagination, and some previously undiscovered source of gratification and delight." (Sir Joseph Paxton, "A Practical Treatise on the Cultivation of the Dahlia", 1838)
"But a thousand unconnected observations have no more value, as a demonstrative proof, than a single one. If we do not succeed in discovering causes by our researches, we have no right to create them by the imagination; we must not allow mere fancy to proceed beyond the bounds of our knowledge."(Justus von Liebig, "The Lancet", 1844)
"By reducing imagination to the power of forming images, and by insisting that no image can be formed except out of the elements furnished by experience, I do not mean to confound imagination with memory; indeed, the frequent occurrence of great strength of memory with comparative feebleness of imagination, would suffice to warn us against such a conclusion." (George H Lewes, "The Principles of Success in Literature", 1865)
"You cannot crown the edifice by this abstraction. The scientific imagination, which is here authoritative, demands as the origin and cause of a series of ether waves a particle of vibrating matter quite as definite, though it may be excessively minute, as that which gives origin to a musical sound. Such a particle we name an atom or a molecule. I think the imagination when focused so as to give definition without penumbral haze, is sure to realise this image at last." (John Tyndall, "The Scientific Use of the Imagination", 1870)
"Accurate and minute measurement seems to the nonscientific imagination a less lofty and dignified work than looking for something new. But nearly all the grandest discoveries of science have been but the rewards of accurate measurement and patient long contained labor in the minute sifting of numerical results." (William T Kelvin, "Report of the British Association For the Advancement of Science" Vol. 41, 1871)
"The imagination is one of the highest prerogatives of man. By this faculty he unites, independently of the will, former images and ideas, and thus creates brilliant and novel results […] The value of the products of our imagination depends of course on the number, accuracy, and clearness of our impressions; on our judgment and taste in selecting or rejecting the involuntary combinations, and to a certain extent on our power of voluntarily combining them." (Charles Darwin, "The Descent of Man", 1874)
"It would be an error to suppose that the great discoverer seizes at once upon the truth, or has any unerring method of divining it. In all probability the errors of the great mind exceed in number those of the less vigorous one. Fertility of imagination and abundance of guesses at truth are among the first requisites of discovery; but the erroneous guesses must be many times as numerous as those that prove well founded. The weakest analogies, the most whimsical notions, the most apparently absurd theories, may pass through the teeming brain, and no record remain of more than the hundredth part. […] The truest theories involve suppositions which are inconceivable, and no limit can really be placed to the freedom of hypotheses." (W Stanley Jevons, "The Principles of Science: A Treatise on Logic and Scientific Method", 1877)
"But I thoroughly believe myself, and hope to prove to you, that science is full of beautiful pictures, of real poetry, and of wonder-working fairies; and what is more […] though they themselves will always remain invisible, yet you will see their wonderful power at work everywhere around you. […] There is only one gift we must have before we can learn to know them - we must have imagination. I do not mean mere fancy, which creates unreal images and impossible monsters, but imagination, the power of making pictures or images in our mind, of that which is, though it is invisible to us." (Arabella Buckley, Fairyland, 1879)
"[…] deduction consists in constructing an icon or diagram the relations of whose parts shall present a complete analogy with those of the parts of the object of reasoning, of experimenting upon this image in the imagination, and of observing the result so as to discover unnoticed and hidden relations among the parts." (Charles S Peirce, 1885)
"[...] thought is the representative or cognitive apprehension of relations among notions; imagination is the affective or felt apprehension of relations among images." (James M Baldwin,"Handbook of Psychology: Senses and Intellect", 1890)
"All great scientists have, in a certain sense, been great artists; the man with no imagination may collect facts, but he cannot make great discoveries." (Karl Pearson, "The Grammar of Science", 1892)
"Ask your imagination if it will accept a vibrating multiple proportion - a numerical ratio in a state of oscillation? I do not think it will. You cannot crown the edifice with this abstraction. The scientific imagination, which is here authoritative, demands, as the origin and cause of a series of ether-waves, a particle of vibrating matter quite as definite, though it may be excessively minute, as that which gives origin to a musical sound. Such a particle we name an atom or a molecule. I think the intellect, when focused so as to give definition without penumbral haze, is sure to realize this image at the last." (John Tyndall, "Fragments of Science", 1892)
"The natural world has its laws, and no man must interfere with them in the way of presentment any more than in the way of use; but they themselves may suggest laws of other kinds, and man may, if he pleases, invent a little world of his own, with its own laws; for there is that in him which delights in calling up new forms - which is the nearest, perhaps, he can come to creation. When such forms are new embodiments of old truths, we call them products of the Imagination; when they are mere inventions, however lovely, I should call them the work of the Fancy: in either case, Law has been diligently at work." (George MacDonald, "The Fantastic Imagination", 1893)
"It is a common and necessary feature of human intelligence that we can neither conceive of things nor define them conceptually without adding attributes to them that simply do not exist. This applies not only to every thought and imagination of ordinary life, even the sciences do not proceed otherwise. Only philosophy seeks and finds the difference between things that exist and things that we perceive, and also sees the necessity of this difference. […] What we add are therefore not incorrect conceptions but the conditions for such conceptions in general. We cannot simply remove them and replace them with better ones; either we must add them, or we must abstain from all conceptions of this kind." (Heinrich Hertz, "Die Prinzipien der Mechanik in neuem Zusammenhange dargestellt", 1894)
"Many theorems are obvious upon looking at a moderately-sized figure; but the reasoning must be such as to convince the mind of their truth when, from excessive increase or diminution of the scale, the figures themselves have past the boundary even of imagination." (Augustus de Morgan, "On the Study and Difficulties of Mathematics", 1898)
"[…] we must have imagination. I do not mean mere fancy, which creates unreal images and impossible monsters, but imagination, the power of making pictures or images in our mind of that which is, though it is invisible to us." (Arabella B Buckley, "The Fairy-Land of Science", 1899)
"This is the greatest degree of impoverishment; the [mental] image, deprived little by little of its own characteristics, is nothing more than a shadow. […] Being dependent on the state of the brain, the image undergoes change like all living substance, - it is subject to gains and losses, especially losses. But each of the foregoing three classes has its use for the inventor. They serve as material for different kinds of imagination - in their concrete form, for the mechanic and the artist; in their schematic form, for the scientist and for others." (Théodule-Armand Ribot, "Essay on the Creative Imagination", 1900)
"This means that it is not a dead thing; it is not at all like a photographic plate with which one may reproduce copies indefinitely. Being dependent on the state of the brain, the image undergoes change like all living substance, - it is subject to gains and losses, especially losses. But each of the foregoing three classes has its use for the inventor. They serve as material for different kinds of imagination - in their concrete form, for the mechanic and the artist; in their schematic form, for the scientist and for others." (Théodule-Armand Ribot, "Essay on the Creative Imagination" , 1900)
"We form in the imagination some sort of diagrammatic, that is, iconic, representation of the facts, as skeletonized as possible. The impression of the present writer is that with ordinary persons this is always a visual image, or mixed visual and muscular; but this is an opinion not founded on any systematic examination." (Charles S Peirce, "Notes on Ampliative Reasoning", 1901)
"Nature talks in symbols; he who lacks imagination cannot understand her." (Abraham Miller, "Unmoral Maxims", 1906)
"No system would have ever been framed if people had been simply interested in knowing what is true, whatever it may be. What produces systems is the interest in maintaining against all comers that some favourite or inherited idea of ours is sufficient and right. A system may contain an account of many things which, in detail, are true enough; but as a system, covering infinite possibilities that neither our experience nor our logic can prejudge, it must be a work of imagination and a piece of human soliloquy: It may be expressive of human experience, it may be poetical; but how should anyone who really coveted truth suppose that it was true?" (George Santayana, "The Genteel Tradition in American Philosophy", 1911)
"Only in men’s imagination does every truth find an effective and undeniable existence." (Joseph Conrad, "Some Reminiscences", 1912)
"The sciences bring into play the imagination, the building of images in which the reality, of the past is blended with the ideals for the future, and from the picture there springs the prescience of genius." (William J Mayo, "Contributions of Pure Science to Progressive Medicine", The Journal of the American Medical Association Vol. 84 (20), 1925)
"We do not know why the imagination has accepted that image before the reason can reject it; or why such correspondences seem really to correspond to something in the soul." (Gilbert K Chesterton, "The Everlasting Man", 1925)
"In this way things, external objects, are assimilated to more or less ordered motor schemas, and in this continuous assimilation of objects the child's own activity is the starting point of play. Not only this, but when to pure movement are added language and imagination, the assimilation is strengthened, and wherever the mind feels no actual need for accommodating itself to reality, its natural tendency will be to distort the objects that surround it in accordance with its desires or its fantasy, in short to use them for its satisfaction. Such is the intellectual egocentrism that characterizes the earliest form of child thought." (Jean Piaget, "The Moral Judgment of the Child", 1932)
"The scientist explores the world of phenomena by successive approximations. He knows that his data are not precise and that his theories must always be tested. It is quite natural that he tends to develop healthy skepticism, suspended judgment, and disciplined imagination." (Edwin P Hubble, 1938)
"Yet a review of receipt physics has shown that all attempts at mechanical models or pictures have failed and must fail. For a mechanical model or picture must represent things as happening in space and time, while it has recently become clear that the ultimate processes of nature neither occur in, nor admit of representation in, space and time. Thus an understanding of the ultimate processes of nature is for ever beyond our reach: we shall never be able - even in imagination - to open the case of our watch and see how the wheels go round. The true object of scientific study can never be the realities of nature, but only our own observations on nature." (James H Jeans, "Physics and Philosophy", 1942)
"[…] observation is not enough, and it seems to me that in science, as in the arts, there is very little worth having that does not require the exercise of intuition as well as of intelligence, the use of imagination as well as of information." (Kathleen Lonsdale, "Facts About Crystals", American Scientist Vol. 39 (4), 1951)
"There is always an analogy between nature and the imagination, and possibly poetry is merely the strange rhetoric of that parallel." (Wallace Stevens, "The Necessary Angel", 1951)
"All great discoveries in experimental physics have been due to the intuition of men who made free use of models, which were for them not products of the imagination, but representatives of real things." (Max Born, "Physical Reality", Philosophical Quarterly Vol. (11), 1953)
"One great lesson that we can learn from its systematic absence in the work of the grand theorists is that every self-conscious thinker must at all times be aware of - and hence be able to control - the levels of abstraction on which he is working. The capacity to shuttle between levels of abstraction, with ease and with clarity, is a signal mark of the imaginative and systematic thinker." (C Wright Mills, "The Sociological Imagination", 1959)
"In imagination there exists the perfect mystery story. Such a story presents all the essential clews, and compels us to form our own theory of the case. If we follow the plot carefully we arrive at the complete solution for ourselves just before the author’s disclosure at the end of the book. The solution itself, contrary to those of inferior mysteries, does not disappoint us; moreover, it appears at the very moment we expect it." (Leopold Infeld, "The Evolution of Physics", 1961)
"That perfected machines may one day succeed us is, I remember, an extremely commonplace notion on Earth. It prevails not only among poets and romantics but in all classes of society. Perhaps it is because it is so widespread, born spontaneously in popular imagination, that it irritates scientific minds. Perhaps it is also for this very reason that it contains a germ of truth. Only a germ: Machines will always be machines; the most perfected robot, always a robot." (Pierre Boulle, "Planet of the Apes", 1963)
"Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience." (Northrop Frye, "The Educated Imagination", 1964)
"An expert problem solver must be endowed with two incompatible qualities, a restless imagination and a patient pertinacity." (Howard W Eves, "In Mathematical Circles", 1969)
"Equilibrium is a figment of the human imagination." (Kenneth Boulding, Toward a General Social Science, 1974)
"Imagination is the outreaching of mind […] the bombardment of the conscious mind with ideas, impulses, images and every sort of psychic phenomena welling up from the preconscious. It is the capacity to ‘dream dreams and see visions’" (Rollo May, "The Courage to Create", 1975)
"Imagination - backed up by practical tests to determine which imaginative leaps are securely founded - is the key to a more accurate world picture." (John R Gribbin, "White holes: Cosmic gushers in the universe", 1977)
"Science is not a heartless pursuit of objective information. It is a creative human activity, its geniuses acting more as artists than information processors. Changes in theory are not simply the derivative results of the new discoveries but the work of creative imagination influenced by contemporary social and political forces. " (Stephen J Gould, "Ever Since Darwin: Reflections in Natural History", 1977)
"Imagination is our means of interpreting the world, and it also is our means of forming images in the mind. The images themselves are not separate from our interpretations of the world; they are our way of thinking of the objects in the world. We see the forms in our mind’s eye and we see these very forms in the world. We could not do one of these things if we could not do the other" (Mary Warnock, "Imagination", 1978)
"Metaphor is for most people a device of the poetic imagination and the rhetorical flourish - a matter of extraordinary rather than ordinary language. Moreover, metaphor is typieully viewed as characteristic of language alone, a matter of words rather than thought or action. For this reason, most people think they can get along perfectly well without metaphor. We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature." (George Lakoff & Mark Johnson, "Metaphors we Live by", 1980)
"Science, since people must do it, is a socially embedded activity. It progresses by hunch, vision, and intuition. Much of its change through time does not record a closer approach to absolute truth, but the alteration of cultural contexts that influence it so strongly. Facts are not pure and unsullied bits of information; culture also influences what we see and how we see it. Theories, moreover, are not inexorable inductions from facts. The most creative theories are often imaginative visions imposed upon facts; the source of imagination is also strongly cultural." (Stephen J Gould, "The Mismeasure of Man", 1980)
"At present, no complete account can be given - one may as well ask for an inventory of the entire products of the human imagination - and indeed such an account would be premature, since mental models are supposed to be in people's heads, and their exact constitution is an empirical question. Nevertheless, there are three immediate constraints on possible models. […] 1. The principle of computability: Mental models, and the machinery for constructing and interpreting them, are computable. […] 2. The principle of finitism: A mental model must be finite in size and cannot directly represent an infinite domain. […] 3. The principle of constructivism: A mental model is constructed from tokens arranged in a particular structure to represent a state of affairs." (Philip Johnson-Laird, "Mental Models" 1983)
"The vision of the Universe that is so vivid in our minds is framed by a few iron posts of true observation - themselves resting on theory for their meaning - but most of all the walls and towers in the vision are of papier-mâché, plastered in between those posts by an immense labor of imagination and theory." (John A Wheeler & Wojciech H Zurek, "Quantum Theory and Measurement", 1983)
"[...] without imagination, heightened awareness, moral sense, and some reference to the general culture, the engineering experience becomes less meaningful, less fulfilling than it should be." (Samuel C Florman, "The Civilized Engineer", 1985)
"Catastrophes are often stimulated by the failure to feel the emergence of a domain, and so what cannot be felt in the imagination is experienced as embodied sensation in the catastrophe. (William I Thompson, "Gaia, a Way of Knowing: Political Implications of the New Biology", 1987)
"If it should turn out that the whole of physical reality can be described by a finite set of equations, I would be disappointed. I would feel that the Creator had been uncharacteristically lacking in imagination." (Freeman Dyson, "Infinite in All Directions", 1988)
"The dreams of people are in the machines, a planet network of active imaginations hooked into their made-up, make-believe worlds. Artificial reality is taking over; it has its own children." (Storm Constantine, "Immaculate" (1991)
"Simple observation generally gets us nowhere. It is the creative imagination that increases our understanding by finding connections between apparently unrelated phenomena, and forming logical, consistent theories to explain them. And if a theory turns out to be wrong, as many do, all is not lost. The struggle to create an imaginative, correct picture of reality frequently tells us where to go next, even when science has temporarily followed the wrong path." (Richard Morris, "The Universe, the Eleventh Dimension, and Everything: What We Know and How We Know It", 1999)
"To say that a thing is imaginary is not to dispose of it in the realm of mind, for the imagination, or the image making faculty, is a very important part of our mental functioning. An image formed by the imagination is a reality from the point of view of psychology; it is quite true that it has no physical existence, but are we going to limit reality to that which is material? We shall be far out of our reckoning if we do, for mental images are potent things, and although they do not actually exist on the physical plane, they influence it far more than most people suspect." (Dion Fortune," Spiritualism and Occultism", 2000)
"Imagination has the creative task of making symbols, joining things together in such a way that they throw new light on each other and on everything around them. The imagination is a discovering faculty, a faculty for seeing relationships, for seeing meanings that are special and even quite new." (Thomas Merton, "Angelic Mistakes: The Art of Thomas Merton", 2006)
"Language use is a curious behavior, but once the transition to language is made, literature is a likely consequence, since it is linked to the dynamic of the linguistic symbol through the functioning of the imagination." (Russell Berman, "Fiction Sets You Free: Literature, Liberty and Western Culture", 2007)
"If worldviews or metanarratives can be compared to lenses, which of them brings things into the sharpest focus? This is not an irrational retreat from reason. Rather, it is about grasping a deeper order of things which is more easily accessed by the imagination than by reason." (Alister McGrath, "If I Had Lunch with C. S. Lewis: Exploring the Ideas of C. S. Lewis on the Meaning of Life", 2014)
"The mental model is the arena where imagination takes place. It enables us to experiment with different scenarios by making local alterations to the model. […] To speak of causality, we must have a mental model of the real world. […] Our shared mental models bind us together into communities." (Judea Pearl & Dana Mackenzie, "The Book of Why: The new science of cause and effect", 2018)
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