"[…] science conceived as resting on mere sense-perception, with no other source of observation, is bankrupt, so far as concerns its claim to self-sufficiency. Science can find no individual enjoyment in nature: Science can find no aim in nature: Science can find no creativity in nature; it finds mere rules of succession. These negations are true of Natural Science. They are inherent in it methodology." (Alfred N Whitehead, "Modes of Thought", 1938)
"The act of discovery escapes logical analysis; there are no logical rules in terms of which a 'discovery machine' could be constructed that would take over the creative function of the genius. But it is not the logician’s task to account for scientific discoveries; all he can do is to analyze the relation between given facts and a theory presented to him with the claim that it explains these facts. In other words, logic is concerned with the context of justification." (Hans Reichenbach, "The Rise of Scientific Philosophy", 1951)
"The design process involves a series of operations. In map design, it is convenient to break this sequence into three stages. In the first stage, you draw heavily on imagination and creativity. You think of various graphic possibilities, consider alternative ways." (Arthur H Robinson, "Elements of Cartography", 1953)
"[…] the difference between creative thinking and unimaginative competent thinking lies in the injection of a some randomness. The randomness must be guided by intuition to be efficient." (John McCarthy et al, "A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence", 1955)
"At each level of complexity, entirely new properties appear. [And] at each stage, entirely new laws, concepts, and generalizations are necessary, requiring inspiration and creativity to just as great a degree as in the previous one." (Herb Anderson, 1972)
"Facts do not ‘speak for themselves’; they are read in the light of theory. Creative thought, in science as much as in the arts, is the motor of changing opinion. Science is a quintessentially human activity, not a mechanized, robot-like accumulation of objective information, leading by laws of logic to inescapable interpretation." (Stephen J Gould, "Ever Since Darwin", 1977)
"Science is not a heartless pursuit of objective information. It is a creative human activity, its geniuses acting more as artists than information processors. Changes in theory are not simply the derivative results of the new discoveries but the work of creative imagination influenced by contemporary social and political forces." (Stephen J Gould, "Ever Since Darwin: Reflections in Natural History", 1977)
"Science, since people must do it, is a socially embedded activity. It progresses by hunch, vision, and intuition. Much of its change through time does not record a closer approach to absolute truth, but the alteration of cultural contexts that influence it so strongly. Facts are not pure and unsullied bits of information; culture also influences what we see and how we see it. Theories, moreover, are not inexorable inductions from facts. The most creative theories are often imaginative visions imposed upon facts; the source of imagination is also strongly cultural." (Stephen J Gould, "The Mismeasure of Man", 1980)
"If intelligence is a capacity that is gradually acquired as a result of development and learning, then a machine that can learn from experience would have, at least in theory, the capacity to carry out intelligent behavior. [...] Humans have created machines that imitate us - that provide mirrors to see ourselves and measure our strength, our intellect, and even our creativity." (Diego Rasskin-Gutman, "Chess Metaphors: Artificial Intelligence and the Human Mind", 2009)
"Some methods, such as those governing the design of experiments or the statistical treatment of data, can be written down and studied. But many methods are learned only through personal experience and interactions with other scientists. Some are even harder to describe or teach. Many of the intangible influences on scientific discovery - curiosity, intuition, creativity - largely defy rational analysis, yet they are often the tools that scientists bring to their work." (Committee on the Conduct of Science, "On Being a Scientist", 1989)
"All of engineering involves some creativity to cover the parts not known, and almost all of science includes some practical engineering to translate the abstractions into practice." (Richard W Hamming, "The Art of Probability for Scientists and Engineers", 1991)
"Good engineering is not a matter of creativity or centering or grounding or inspiration or lateral thinking, as useful as those might be, but of decoding the clever, even witty, messages the solution space carves on the corpses of the ideas in which you believed with all your heart, and then building the road to the next message." (Fred Hapgood, "Up the infinite Corridor: MIT and the Technical Imagination", 1993)
"Indeed, knowledge that one will be judged on some criterion of ‘creativeness’ or ‘originality’ tends to narrow the scope of what one can produce (leading to products that are then judged as relatively conventional); in contrast, the absence of an evaluations seems to liberate creativity." (Howard Gardner, "Creating Minds", 1993)
"[…] creativity is the ability to see the obvious over the
long term, and not to be restrained by short-term conventional wisdom." (Arthur
J Birch, "To See the Obvious", 1995)
"The pursuit of science is more than the pursuit of understanding. It is driven by the creative urge, the urge to construct a vision, a map, a picture of the world that gives the world a little more beauty and coherence than it had before." (John A Wheeler, "Geons, Black Holes, and Quantum Foam: A Life in Physics", 1998)
"Simple observation generally gets us nowhere. It is the creative imagination that increases our understanding by finding connections between apparently unrelated phenomena, and forming logical, consistent theories to explain them. And if a theory turns out to be wrong, as many do, all is not lost. The struggle to create an imaginative, correct picture of reality frequently tells us where to go next, even when science has temporarily followed the wrong path." (Richard Morris, "The Universe, the Eleventh Dimension, and Everything: What We Know and How We Know It", 1999)
"Science, and physics in particular, has developed out of the Newtonian paradigm of mechanics. In this world view, every phenomenon we observe can be reduced to a collection of atoms or particles, whose movement is governed by the deterministic laws of nature. Everything that exists now has already existed in some different arrangement in the past, and will continue to exist so in the future. In such a philosophy, there seems to be no place for novelty or creativity." (Francis Heylighen, "The science of self-organization and adaptivity", 2001)
"This spontaneous emergence of order at critical points of instability is one of the most important concepts of the new understanding of life. It is technically known as self-organization and is often referred to simply as ‘emergence’. It has been recognized as the dynamic origin of development, learning and evolution. In other words, creativity - the generation of new forms - is a key property of all living systems. And since emergence is an integral part of the dynamics of open systems, we reach the important conclusion that open systems develop and evolve. Life constantly reaches out into novelty." (Fritjof Capra, "The Hidden Connections", 2002)
"Evolution moves towards greater complexity, greater elegance, greater knowledge, greater intelligence, greater beauty, greater creativity, and greater levels of subtle attributes such as love. […] Of course, even the accelerating growth of evolution never achieves an infinite level, but as it explodes exponentially it certainly moves rapidly in that direction." (Ray Kurzweil, "The Singularity is Near", 2005)
"An ecology provides the special formations needed by organizations. Ecologies are: loose, free, dynamic, adaptable, messy, and chaotic. Innovation does not arise through hierarchies. As a function of creativity, innovation requires trust, openness, and a spirit of experimentation - where random ideas and thoughts can collide for re-creation." (George Siemens, "Knowing Knowledge", 2006)
"Learning emerges from discovery, not directives; reflection, not rules; possibilities, not prescriptions; diversity, not dogma; creativity and curiosity, not conformity and certainty; and meaning, not mandates." (Stephanie P Marshall, "The Power to Transform: Leadership That Brings Learning and Schooling to Life", 2006)
"Systemic problems trace back in the end to worldviews. But worldviews themselves are in flux and flow. Our most creative opportunity of all may be to reshape those worldviews themselves. New ideas can change everything." (Anthony Weston, "How to Re-Imagine the World", 2007)
"In an information economy, entrepreneurs master the science of information in order to overcome the laws of the purely physical sciences. They can succeed because of the surprising power of the laws of information, which are conducive to human creativity. The central concept of information theory is a measure of freedom of choice. The principle of matter, on the other hand, is not liberty but limitation- it has weight and occupies space." (George Gilder, "Knowledge and Power: The Information Theory of Capitalism and How it is Revolutionizing our World", 2013)
"Imagination, as well as reason, is necessary to perfection in the philosophical mind. A rapidity of combination, a power of perceiving analogies, and of comparing them by facts, is the creative source of discovery." (Sir Humphry Davy)
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